Questions Regarding Production

Thanks to everyone who has commented or sent me thoughts on how to pull off this geocaching short story distribution thing. Jez Burrows (who does amazing design stuff in the UK) referred me to this service I’d never heard of called Lulu which will print a book of the size I envision for about five bucks a copy. My friend and colleague Beatrix Gates recommended Bookmobile and then tonight at Hugo House Matthew Simmons suggested I might be able to do something with the new Espresso Book Machine (really sucky name for the thing, imo) they’ve got running at University Bookstore.

One commenter on Slog raised an issue I hadn’t thought much about, whether folks would simply take the books and not pass them along because they’re cool. I’ve always figured a number of books will go missing, and I accept that, but I’m curious about whether there’d be a correlation between the stories’ production values and their tendency to live permanently on someone’s shelf rather than get passed along, as I intend them to be. In other words, should I produce these stories to be completely no-frills? Should I simply send them out into the world as pieces of loose-leaf paper in Ziploc bags? Continue reading

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Thanks, Paul

Paul Constant blogs about this blog at The Stranger. Paul, incidentally, has consistently been thinking in forward-looking ways about technology and books.

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Ryan Boudinot’s Geocaching Project

I’m excited to announce a new project: a series of stories distributed solely via geocaches.

What Is Geocaching?

From geocaching.com: “Geocaching (pronounced geo-cashing) is a worldwide game of hiding and seeking treasure. A geocacher can place a geocache in the world, pinpoint its location using GPS technology and then share the geocache’s existence and location online. Anyone with a GPS device can then try to locate the geocache.”
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